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Da Lim

人与自然、建筑与自然的关系一直处在不断发展、协调的过程中，促使了墨西哥的自然主义理念的生长和激发了其原始的建造欲望，结合场地环境、材料选择、光影的营造和秩序的建立，体现出一种特定的叙事性情境表达。在此次<世界大师课>的课程中，「印际」特别邀请墨西哥的四家建筑事务所LEGORRETA、Estudio Macías Peredo、CO-LAB和Estudio MMX创始人以“写意自然”为主题，讲述他们对“场地、材料、光影、秩序、氛围”的设计思考与建筑实践。

授课方式 

The Way to Class

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1：全国独家国际大师课，墨西哥7位建筑师开讲，打造“写意自然”课程。

2：沉浸式Zoom教学，打破空间的界限，深度感受国际建筑师的设计逻辑与思考框架。

3：课程中设置学员提问环节，向大师一对一提问，更深入了解知识架构。

4：3位行业资深翻译嘉宾，具有建筑设计背景，为大家提供实时的高质量的同传，输出语言为中文。

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七位建筑大师线上开讲

Lecturer Introduction

Estudio Macías Peredo寄语

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非常感谢Yinjispace的邀请，Estudio Macías Peredo是一家墨西哥事务所，由建筑师Salvador Macías，Magui Peredo以及Diego Quirarte共同领导。我们将自身设计理念定义如下：“在富有条理的观察中，发现了理解城市和全球建筑现有问题和需求的深度研究的一种不可或缺的工具。但我们仍将每次介入看做一次建立和描绘在其情况和特殊语境的条件和资源之上的宣言。

Estudio Macías Peredo is a Mexican architecture firm, led by architects Salvador Macías, Magui Peredo and Diego Quirarte.We define their design philosophy as follows :“We have found trough methodical observation an indispensable tool for an intense search to understand the current problems and needs of the cities and global architecture. And yet we conceive each intervention as a manifestation that arises and draws on the conditions and resources of both, its situation and its specific context.▲Project @ Complejo Industrial

在我们的生活环境中，大多数建筑活动仍旧和人力劳作紧密关联。事实上，在今天，手工匠和手工活动在墨西哥相当普遍。我们的工作室对这种情况抱着开放的态度，将其纳为我们所做工作的一个基础部分。我们努力将自身永恒且普遍的兴趣和目前的工作环境协调一致。我们致力于能够保证手工艺即兴创作和实验的行动计划。我们希望手工匠人能够参与到建筑过程中，这样通过他或她的行动，使得项目意图转变为项目特点。这并非处于一种对行将消逝的工具的怀旧情感，而是为了可持续的机遇或是现有工具能够恢复或继续发展，为我们现在这个时代做出一份贡献。”

In our context, much of the construction activity is still closely linked to manual work. In fact, today craft and hand working are considerably common in the population of Mexico.In our office there is an open attitude to this condition, where we embrace it as a fundamental part of the work we do. We seek to align our timeless and universal interests with the environment we currently work at. We look for strategies where anticipation and planning admit the improvisation and experimentation of crafts.We pursue a way of creating that allow the hand-worker to participate in the building process, so he or she, can translate the project’s intentions to its own abilities. Not because of a nostalgia of an instrument in extinction, but for the sustainable opportunities and current issues that could be recovered or continued in contribution of our present time.”

▲Project @ Edificio-Turin

我们的大师课基于一个中心思想，以及五个另外的主题。中心思想就是会议的主题：一次实践，指的是对于我们建筑工作室最为重要项目的专业实践的理解。随后，我们会通过五个反映我们理解世界和建筑的角度的主题来进行授课。在课程中，我们会将这些主题和具体项目紧密结合在一起，以便能够展示我们的形式，我们的来源，以及我们所生活的环境是如何塑造了我们的行为和实践。

Our talk is organized by a central idea and five additional themes. The central idea is the title of the conference "A practice" and refers to the understanding of our professional practice as the most important project of our architecture firm.Next, we tap into five themes to reflect on the different filters through which we understand the world and, therefore, architecture. Throughout the conversation, we weave these themes with specific projects of us, with the intention of showing who we are, where we come from and the way in which our context and the universe in which we live shape what we do and our practice.

▲Project @ Casa Tejada

Estudio MMX 讲者寄语

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非常荣幸能够成为墨西哥大师课的一部分，我们是来自墨西哥的事务所MMX，由Jorge Arvizu，Ignacio del Rio，Emmanuel Ramírez和Diego Ricalde联合成立。

Established in 2010 Estudio MMX is created as a collaborative team based in Mexico City, focused on the design processes for the various scales of the territory. Founded by Jorge Arvizu, Ignacio del Rio, Emmanuel Ramírez and Diego Ricalde.

▲Project @ CBC House

环境，介入和语境三者之间的关系是团队创意生发点的驱动力，因此也是团队工作的成果。这不是对自身的介入，而是对既定系统的，由部分引发的综合协作，是我们探索的目标。在我们的工作中，想法的概念化自由地远离了物体寻常创作，对语境做出反应并由语境中得到启示。因此，介入变为了对一个整体的完整延伸，这个整体的内涵随设计过程而不断发生变化。这种方式将我们的专注点集中在公众和私密空间更迭的领域和过程，外部和内部的界限概念，以及这种对立的内在矛盾性上。我们工作的日常表现是一组定义元素之间的综合关系形成。从该种意义上说，这类部分的表达必须以一种比介入更为广阔的方式来解读，使我们能够形成基本逻辑，给作为整体的系统带去连贯性。而这种整体背后的逻辑不是人为随意决定的，与此相反，它们来自对日常环境的思考和研究。

The relations between these three elements, the environment, the intervention and its content, becomes the driving force that informs the emergence of our ideas and therefore the outcome of our work. Thus, it is not the intervention on itself, but the synergy triggered by its components, on a determined system, that becomes the very target for our explorations. In our work, the conceptualization of the idea gets deliberately away from the formal creation of an object, to inform and get informed by both its context and its content. As a result, the interventions become integral extensions of an ensemble, whose properties are redefined along the design process. This approach has consequently focused our attention upon the territories and processes of generation of the public and private space, the boundary definition of interior and exterior, and the inherent ambivalence of such dichotomies. The formal manifestation of our work is the result of a coherent set of relations between the elements that define it. In that sense, the articulation of such components has to be seen from a broader perspective, larger than the intervention itself, forcing us to define a base logic that would bring coherence upon the system as a whole. The logics behind the ensembles are not arbitrarily determined, on the contrary, they emerge from the thoughtful study of our everyday environment.

▲Project @ CVC House

CO-LAB Design Office讲者寄语

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很荣幸加入墨西哥大师班，CO-LAB由Joana Gomes和Joshua Beck于2010年联手创立，工作室位于墨西哥图鲁姆市，负责各种类型的建筑业务。我们从尤卡坦半岛的自然风貌受到启发，借助项目中的设计实现和自然世界更高程度的连接。我们倡导可持续原则理念，每一个项目都是对项目地点美景的充分发挥，创造出独特的符合环境的设计。房间使用当地取材的自然原材料和手工艺品，被自然、和煦微风和光影环抱，谱出构图和关系新的交响乐。CO-LAB从手工艺品和当地取材的自然原材料中发现那种“不完美之美”，与艺术家直接协作创造出与周边环境和谐一体的可持续居住环境。

Founded by Joana Gomes and Joshua Beck in 2010, CO-LAB is a full-service architecture studio located in Tulum, Mexico. Inspired by the natural beauty of the Yucatan, our projects encourage a greater connection to the natural world through design. Embracing sustainable principles, each project carefully weaves the architectural program with the beauty of each site to create unique contextual designs. Locally sourced natural materials and handcrafted finishes render rooms built around views of nature, gentle breezes, light and shadows, to create new compositions and relationships. Seeing beauty in the imperfections of hand-crafted finishes and locally sourced natural materials CO-LAB works directly with artisans to create sustainable environments in harmony with their surroundings.

▲Project @ Casa Areca

本次大师课将会涉及我们的设计过程、我们的设计和材料方法，以及为何手工工艺在我们的设计过程中占有如此重要的地位。

We close with a presentation of our studio, our process, our approach to design and materiality, and how handcrafting plays such an important role in our design process.

▲Project @ Casa Aviv

Víctor Legorreta 讲者寄语

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非常感谢Yinjispce对我们的邀请，自1965年由Ricardo Legorreta、NoéCastro和Carlos Vargas Sr.创立LEGORRETA ARQUITECTOS（现在的Legorreta®）以来，我们一直致力于实现我们的初心，即创造受人类价值观启发的最佳建筑。在LEGORRETA®公工作室，我们致力于创造一种满足任何社会需求的建筑，同时为建设更好的城市做出贡献。为了满足功能、效率和成本控制，我们必须设计人性化和友好的环境，营造和平、私密和乐观的氛围。

Since our founding in 1965 by Ricardo Legorreta, Noé Castro and Carlos Vargas Sr., as LEGORRETA ARQUITECTOS (now LEGORRETA®) we have managed to stay true to our original goal of creating the best architecture inspired by human values. In LEGORRETA® we seek to create an architecture that meets the needs of any society while contributing to build better cities. Delivering functionality, efficiency and cost control, we must design human and friendly environments, with atmospheres that convey peace, privacy and optimism.

在Víctor Legorreta的大师课中，我们将简要介绍事务所的渊源，以及与路易斯·巴拉甘的关系。之后将介绍几个重点项目，这其中包括位于墨西哥，以及位于世界其他地区的一些住宅。所展示的住宅都展示了公司对其环境的适应和归化，并体现了当地材料的大量使用。这种当地材料的使用包含不同的岩石、开采的石头、砖块、木材、混凝土、玻璃和陶瓷样品等，都取自它们的建造区域。

In Víctor Legorreta’s Masterclass, we will give a short introduction on the office and relationship with luis barragan . Afterwards, we shall be presenting a wide range of projects from residences located not only in Mexico, but also in other parts of the world.Each of the houses that are presented will show the firm’s compromise to adapt to its context and demonstrate the extensive usage of local materials. This use of endemic materials offer a varied sampling of rock, quarried stone, brick, wood, concrete, glass and ceramics taken from the regions where they are built.

艺术一直在我们的项目中发挥着至关重要的作用，因此住宅中艺术的使用便不可避免。LEGORRETA在每个项目的最初阶段就一直致力于将艺术家融入其中，我们也为展示墨西哥的人才感到自豪。从我们开始最初的草图阶段，或者在初步设计阶段时，我们就考虑是否应该与视觉艺术家合作。如果我们认为艺术家的作品可以丰富最终项目的成果，我们会毫不犹豫地邀请他们。我们对艺术家的选择对应了项目的性质和目的，然后是其形式和材料特征，每个艺术家展现其创造力的方式最能突出既定空间的本质。从项目启动之初就运用艺术作品的一个优势是，在整个开发过程中，它允许我们将艺术家的概念与我们自己的概念结合起来，从而使艺术和建筑相互滋养，并融入整个项目。

Art has always played a crucial role in our projects, so art in dwellings is no exception. LEGORRETA has been vocal of incorporating the artists in the very initial phases of each project, and we are proud exporters of Mexican talent. From the time we undertake the very first sketches, or in the preliminary design phases, we look at whether a visual artist should be included. We don’t hesitate to call on artists if we think their work can enrich the final project’s outcome. In a first instance, obviously, our selection responds to the nature and purpose of the project, and later to its format and the materials—characteristic of the way each artist embodies his or her creativity—that would best accentuate the essence of a given space. One of the advantages of commissioning artworks from the very launch   of a project is that throughout the development process it allows us to combine artists’ concepts with our own so    that art and architecture nurture one another and blend into the overall project.